I’ll go first…The Office.

Now I know the two shows are fundamentally quite different, but they adapted what was already a very successful show, and turned It into an event more successfully one that lasted for significantly longer than the original did. I say that’s a win for them.

Anything else? Life on Mars, Being Human, The Inbetweeners…?

  • ᴇᴍᴘᴇʀᴏʀ 帝English
    20•8 months ago

    There’s quite a good Wikipedia article on this.

    Amongst all the quiz and reality shows, there are a few intriguing obscure nuggets:

    • The Golden Girls is an adaptation of a UK TV series, The Brighton Belles.
    • They’ve tried to adapt Fawlty Towers three times.
    • Not the Nine O’ Clock News was adapted for the US.
    • One Foot in the Grave became Cosby - presumably the British version didn’t have enough (ie any) rapists.
    • They tried to adapt Spaced, IT Crowd and the Young Ones but they failed at the pilot stage. This is probably A Good Thing. Although I might see if I can dig out the pilots.
    • @[email protected]English
      6•8 months ago

      presumably the British version didn’t have enough (ie any) rapists.

      You forgot Little Jimmy. shoe-in for such a role…

    • @[email protected]
      5•8 months ago

      The US pilot of the IT Crowd is on YouTube, and it’s pretty terrible. Even Joel McHale couldn’t save it.

    • The Giant KoreanEnglish
      4•8 months ago

      I’m reading that Brighton Belles was based off of Golden Girls, not the other way around.

    • @[email protected]
      4•8 months ago

      The Fawlty remake with Bea Arthur was an interesting try. Casting her in the Cleese role was a good idea, but the script writing was poor.

    • IggyTheSmidge
      3•8 months ago

      Cosby predates One Foot in the Grave - I remember watching Cosby as a kid in the 80s, and OFitG didn’t show up until the 90s. OFitG became (I think) Curb Your Enthusiam.

    • @[email protected]
      2•8 months ago

      British television audience are very accepting of the American originals while being much less accepting of British remakes (see, for instance, the failure of The Brighton Belles, the British remake of The Golden Girls).