One of mine is Commit This to Memory by Motion City Soundtrack. I basically took the title verbatim and know the album word for word. And while I would love if it did, the rest of MCS’s stuff just doesn’t hit the same way.

And if you’re not an album person, maybe a period of time in the artist’s work? Whatever works for you.

*Lots of mentions of hit debut albums that subsequently petered out, which follows with the dreaded sophomore slump that hits many artists. Anyone with mid or even later career albums that stand alone? Those always intrigue me.

  • actual_pillow
    link
    fedilink
    arrow-up
    25
    ·
    7 months ago

    Songs for the Deaf. A very brief moment QOTSA existed in that form and nothing before or after even gets close.

    • llamapocalypse@lemmy.world
      link
      fedilink
      English
      arrow-up
      9
      ·
      7 months ago

      I respect your opinion, but hard disagree - SFTD is good but both Villains and (especially) …Like Clockwork are better musically and lyrically imo.

      • MrBobDobalina@lemmy.ml
        link
        fedilink
        arrow-up
        1
        ·
        7 months ago

        Interesting, I love all of their albums except for Villains, just can’t find my way in to that one. And …Like Clockwork is probably my next least listened to, but I do love a bunch of the tracks on it

    • MJKee9@lemmy.world
      link
      fedilink
      arrow-up
      5
      ·
      7 months ago

      I think all of their albums have songs equal to or better than SFTD. Is SFTD the most consistent throughout?? I don’t know. This coming from a guy that had SFTD in his cd player from 2002 to 2006. I

    • zod000@lemmy.ml
      link
      fedilink
      arrow-up
      1
      ·
      7 months ago

      I prefer Rated R and Lullabies to Paralyze to Songs for the Deaf. Fight me.

    • 2piradians@lemmy.world
      link
      fedilink
      English
      arrow-up
      1
      ·
      7 months ago

      I’m with you there. SFTD hit a great balance between dark and light. I think Josh needs Nick Oliveri’s approach, though I know he had his problems (maybe still?). Musically though, I think they’re a case of a whole being greater than the sum of its parts.