• OBJECTION!@lemmy.ml
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    16 days ago

    During the lifetime of great revolutionaries, the oppressing classes constantly hounded them, received their theories with the most savage malice, the most furious hatred and the most unscrupulous campaigns of lies and slander. After their death, attempts are made to convert them into harmless icons, to canonize them, so to say, and to hallow their names to a certain extent for the “consolation” of the oppressed classes and with the object of duping the latter, while at the same time robbing the revolutionary theory of its substance, blunting its revolutionary edge and vulgarizing it.

    • BeNotAfraid@lemmy.world
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      16 days ago

      Well Yeah, have you seen the Bob Marley Biopic? Whitewashing is precisely why his music is seen as stoner-feel-good-vibes and not the fiery protest music it was. He’s closer to the Black Panthers then he ever was to Cheech and Chong. But that’s not the reality they want you to accept.

      • merc@sh.itjust.works
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        16 days ago

        Whitewashing is precisely why his music is seen as stoner-feel-good-vibes and not the fiery protest music it was.

        Well, I’d say that has more to do with music sensibility. His music used slow tempo, heavy and steady beats, was bass-driven, and melodic vocals. That isn’t angry music for a western audience. Going back centuries, angry western music is fast paced, unsteady rhythms, big changes in volume, discordant sounds and lots of high frequencies.

        It’s not whitewashing. It would be very hard to make an angry protest song set to a waltz beat too. The medium is the message, and the medium of steady droning beats is calmness not anger.