1 - Paying for consuming media older than 30 years is a perversion of the intellectual property idea, of supporting artists for a short window of time by artificial restriction of the right to culture and knowledge, and then to release the works to the public domain for the enjoyment of society. That the capitalists extended said window to be the death of the autour + 70 years, and then invented the idea of owning the art-invention-etc made by worker-artists is the real robbery of the situation. The current phase of studios trying to leverage AI tools (and AI tools that are essentially industrial scale pirates AND plagiarists) to make even more exploitation of artists is not surprising to me.
I forgot to add: the original north american idea was 14 years + 14 years, if the artist made a request for extension to get the 2nd period. Imagine if we had 14 years copyright now, everything made 14 years ago would be released and available to watch or even to make derivative works…
2 - I am not north american, i am third worlder (Brazil). So, since i have the money and time to spend, i prefer to spend money on domestic artists and domestic works to benefit my nation, which is a lot poorer than western artists and populations, and with much less famous cultural works. Instead of giving (more) money to Disney, i can go on music shows or theater here, or sign up one of the local streamers, and pirate the foreigner’s content i want. Brazilian artists, that really need the money and attention, i try to pay whenever possible (if it is even available). For films made by disney (and equivalents) … they will make enough money from cinema release here and from their foreign rich country, no need to give then a monthly transfer on top. The book Open Veins of Latin America is something of a reference in this type of reasoning.
Some of us have very good reasons for pirating, I was paying for every service under the sun in the UK last year and I dropped them all simply because the moment I went on holiday practically none of them worked. At that point, I realised that they just weren’t worth it and I could build something out and self-host a far better service.
So I spent something like 2 grand doing that knowing at least I’ll never have that issue again, Piracy is always a service issue first and foremost and most of these services are crap. Netflix still at least has a reasonable interface and a good experience across every device but Prime video is atrocious, P+ is likewise terrible and don’t ever get me started on NowTV.
I agree with you, but this site is full of people who hate the idea of companies having to make money and just steal shit all the time. It’s a lame attitude to have I think, they believe they are entitled to others work because they don’t like the distribution model.
It’s the quality of service that they offer, I don’t mind paying £60-70 a month for all my tv/movies but when the services don’t even work well, have terrible experiences and constant caveats to using them it’s just not worth it. Go spend the money on a self-hosted solution for a better experience and be done with it. It’s not exactly cheaper either it’s just less of a headache.
Removed by mod
If i was in a righteous mood, i would say :
1 - Paying for consuming media older than 30 years is a perversion of the intellectual property idea, of supporting artists for a short window of time by artificial restriction of the right to culture and knowledge, and then to release the works to the public domain for the enjoyment of society. That the capitalists extended said window to be the death of the autour + 70 years, and then invented the idea of owning the art-invention-etc made by worker-artists is the real robbery of the situation. The current phase of studios trying to leverage AI tools (and AI tools that are essentially industrial scale pirates AND plagiarists) to make even more exploitation of artists is not surprising to me.
I forgot to add: the original north american idea was 14 years + 14 years, if the artist made a request for extension to get the 2nd period. Imagine if we had 14 years copyright now, everything made 14 years ago would be released and available to watch or even to make derivative works…
2 - I am not north american, i am third worlder (Brazil). So, since i have the money and time to spend, i prefer to spend money on domestic artists and domestic works to benefit my nation, which is a lot poorer than western artists and populations, and with much less famous cultural works. Instead of giving (more) money to Disney, i can go on music shows or theater here, or sign up one of the local streamers, and pirate the foreigner’s content i want. Brazilian artists, that really need the money and attention, i try to pay whenever possible (if it is even available). For films made by disney (and equivalents) … they will make enough money from cinema release here and from their foreign rich country, no need to give then a monthly transfer on top. The book Open Veins of Latin America is something of a reference in this type of reasoning.
Some of us have very good reasons for pirating, I was paying for every service under the sun in the UK last year and I dropped them all simply because the moment I went on holiday practically none of them worked. At that point, I realised that they just weren’t worth it and I could build something out and self-host a far better service.
So I spent something like 2 grand doing that knowing at least I’ll never have that issue again, Piracy is always a service issue first and foremost and most of these services are crap. Netflix still at least has a reasonable interface and a good experience across every device but Prime video is atrocious, P+ is likewise terrible and don’t ever get me started on NowTV.
Easier to just use torrents.
I agree with you, but this site is full of people who hate the idea of companies having to make money and just steal shit all the time. It’s a lame attitude to have I think, they believe they are entitled to others work because they don’t like the distribution model.
It’s the quality of service that they offer, I don’t mind paying £60-70 a month for all my tv/movies but when the services don’t even work well, have terrible experiences and constant caveats to using them it’s just not worth it. Go spend the money on a self-hosted solution for a better experience and be done with it. It’s not exactly cheaper either it’s just less of a headache.