Pisha [she/her, they/them]

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Joined 4 years ago
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Cake day: December 23rd, 2020

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  • Flanagan’s two previous haunted house series really pissed me off in the end. Hill House started off strong, but by the end you know exactly how the haunting works and it’s basically just one ghostly “insane” woman who’s the cause of everything despite having no relation with anyone. That’s not how character-based horror is supposed to work. Bly Manor was even worse and I turned it off after some interminable monologue by a ghost misogynist about his ghost powers. In both cases, I think the source material played with the idea that you cannot be certain there’s anything supernatural going on, so to instead have a clear list of rules about how ghosts work, like we’re in some bad anime, really seems like a wrong decision.



  • I was hoping for someone to post this on here. The racism among Sci-Fi fans has been off the charts ever since the location was announced, which, compared to the lack of outrage when Raytheon sponsored a convention recently, really puts the nail in the coffin of this genre for me. (See also the elections for the AO3 board, where there was one Chinese candidate, leading to incredible conspiracies about the site being subverted by the CPC.) Honestly, if some Western authors got disqualified simply for sinophobia, I’d find that pretty funny, in a chickens coming home to roost way, but I’m assuming that there are much more boring reasons that the organizers can’t be bothered to submit to the scrutiny of Western fandom, which is fair.




  • Labor is not the source of all wealth. Nature is just as much the source of use values (and it is surely of such that material wealth consists!) as labor, which itself is only the manifestation of a force of nature, human labor power. The above phrase is to be found in all children’s primers and is correct insofar as it is implied that labor is performed with the appurtenant subjects and instruments. But a socialist program cannot allow such bourgeois phrases to pass over in silence the conditions that lone give them meaning. And insofar as man from the beginning behaves toward nature, the primary source of all instruments and subjects of labor, as an owner, treats her as belonging to him, his labor becomes the source of use values, therefore also of wealth. The bourgeois have very good grounds for falsely ascribing supernatural creative power to labor; since precisely from the fact that labor depends on nature it follows that the man who possesses no other property than his labor power must, in all conditions of society and culture, be the slave of other men who have made themselves the owners of the material conditions of labor. He can only work with their permission, hence live only with their permission.

    Marx, Critique of the Gotha Programme



  • Yeah. There’s also something to be said about how complex games like IWD2 don’t ever get remakes, so an improved re-release would be the only way to get some new publicity for something that’s still worth looking at. It worked for the Baldur’s Gate games, at least.

    I’ve been wondering about the RA2 remaster. They did the first game, it was a success as far as I know, and now it’s just radio silence. I grew up with that game and played it a bit last year (local multiplayer works on Linux!), so I’m interested in what they’re doing. It would explain a lot if they’d just lost the source code.

    Oh, and one more example comes to mind while I’m on the topic: Saints Row 2. The PC port is really bad and didn’t work for me, and neither did emulation. The developers had lost the code, found it again somehow and gave it to one dedicated employee to remaster, but he, unfortunately, died and then the company went defunct. Now it’s all just corporate assets of some holding company that doesn’t care one iota about the preservation of culture.