The real problem, as I see it, is that P+ has gone out of their way not only to gather all that is Trek under their umbrella, but they’ve gone out of their way to ensure their walled garden is the only place it’s found.

Look to file sharing sites and USENET, where the DMCA has been wielded with gay abandon to decimate access to pirated content. It’s impossible to find full episodes on USENET any more and torrent sites likewise.

What brought ST back in the first place, was syndication. It was cheap enough, every podunk broadcast station could afford to air it, thus creating legions of new fans. This is the exact opposite of what’s happening today.

Sadly, if P+ loses enough to start cancelling production of new content, they’d still be sitting on all the copyrighted IP and something tells me they’d try to squeeze every farthing possible out it via licensing before letting another production company touch it.

At this point, I’m buying DVD box sets, ripping them to my raided NAS, reselling them and saying “Yuck fu!” to the controlling millionaires at Paramount.

I’d settle for a good, consistent source for subtitles, let alone audio. The DMCA is a plague on fan cleared content. :(

Have to agree with others that this looks like an episode of FanboysGoneWild, but there are reasons to question, if not outright ceasing to use Brave and they center around their CEO, Brendan Eich. https://www.nytimes.com/2020/12/22/business/brave-brendan-eich-covid-19.html

Look no further than Hollywood studios for a primer in creative accounting, they’ve kept tens millions for themselves over decades.

AKA: Fuck facts, sue them into silence.

Apologies, thank you for making an exception.

Takes one to know one.

Ugh. I plead insufficient caffeine and a memory like a sieve, thanks for the correction.

Two words sum up “why”: Reality Winter.