Fewer than three weeks before actor Alec Baldwin is due to go on trial in Santa Fe, New Mexico, prosecutors have said that he “engaged in horseplay with the revolver”, including firing a blank round at a crew member on the set of Rust before the tragic accident occurred.
Baldwin is facing involuntary manslaughter charges in the 2021 shooting death of cinematographer Halyna Hutchins.
In new court documents, prosecutors said they plan to bring new evidence to support their case that the 66-year-old actor and producer was reckless with firearms while filming on the set and displayed “erratic and aggressive behavior during the filming” that created potential safety concerns.
Prosecutors in the case, which is due to go to trial on 10 July, have previously alleged that to watch Baldwin’s conduct on the set of Rust “is to witness a man who has absolutely no control of his own emotions and absolutely no concern for how his conduct affects those around him”.
In the latest filing, special prosecutors Kari Morrissey and Erlinda Johnson allege that Baldwin pointed his gun and fired “a blank round at a crew member while using that crew member as a line of site as his perceived target”.
There’s no good reason to use a functional gun in film and theater, change my mind.
The only reason to do it is verisimilitude, and that’s not compelling because a fake is easy enough to acquire/create.
In 2024 having a real firearm on set is unconscionable. Especially without a proper armorist. This was not only avoidable, but the situation shouldn’t have even presented itself.
It also only matters at all because of people banging on about “this movie was set in 1935, but the down-bent charging handle on gun X wasn’t introduced until 1941”. Which will still happen, anyway, and it’s not a good enough reason to have real firearms on set.
Isn’t literally everything in film and TV intended to look real, or at least look like it exists in that universe?
Sure, but the difference between a real gun and a fake gun is not that great.
Also, they often shoot 30 times without reloading from guns with a much lesser capacity. Their interest in realism is often so-so.
Wasn’t your original point that they use real guns so the guns… look real?
My original point was that the difference in how real it looks is not so great that it is outweighed by dangers of having a functional gun.
My later point was that they can’t be all that concerned with being realistic if they are shooting 30 times from a gun with a 10 round magazine without reloading.
Ironically, I think there is a link there. I am more likely to relax my disbelief if things look real. Once I have immersed myself into a situation I believe ( because it seems real ), I am less likely to pay attention to things like shot count.
It is the same as having heros that struggle with situations early on and then later are effortlessly capable of so much more. I already believed them so now they can take advantage of that.
Modify the dang things so they can’t take real ammo. Make it keyed somehow or odd shaped. Problem solved.
This particular gun was an actual period gun, so it could prevent the use of the gun if it needed to be modified. But honestly, just like there wasn’t a real helicopter in films besides stock footage or military footage the production company didn’t film, because accidentally killing three actors two of whom were children being illegally treated, was enough for studios to forbid it, the people who’ve been shot accidentally on film should really make everyone unwilling to use anything but a prop that is explicitly and legally not at all a gun in any way.
But we all know the old adage:
Guns don’t kill people, helicopters do.
Then it’s time for the green polka dot gun that gets CGI’d after the fact.
It’s laziness. Automatics are modified in a way that prevents them from being fully operational as a gun, but not for safety reasons.
They won’t cycle with blank rounds because there’s no backpressure from firing a live round, so they obstruct the barrel to redirect some of the gasses back into the action.
For revolvers, bolt guns, etc that isn’t an issue because they aren’t cycled by recoil or gasses. You can just load a blank and use it.
It’s funny I recently bumped into a guy who is a gunsmith and worked in Hollywood sets before so we talked about this. There are reasons to have a fully functional gun on set and the different rounds they use on set because there are a bunch of different types depending on the scene and lighting. They use different charges for different shots and a bunch of other things. Especially if it’s a practical effects movie.
The issue is making sure live ammo is not on set or around the guns on set. If you have access to these guns you can use them after filming is done with live rounds.
Alex trusted the people around him to do their jobs and they didn’t make it a safe set. This is like flipping the keys to Dodge Hellcat to your 15 1/2 year old son with a learners driving permit and his 18 year old friend riding shotgun. It’s not a good idea. They should be driving Kia Sportage.
With all the money spent on films, I’m amazed there isn’t regulated “Hollywood” caliber firearms. Something incapable of chambering anything on the market, and only functions with the certified blanks.
Something akin to the way fake currency is controlled.
I mean, cool idea, but that would severely limit the available choices for types of firearms.
I dont know. I think there could be an inventory of replicas. You can get a 1911 in multiple calibers already, as you can many revolver frames. There’s no reason they couldn’t make custom ones.
Or just make it a chamber modification that can be applied to any gun that reduces the size of the round that can fit in it to something that isn’t a standard size.
Except my understanding is Baldwin would be the Hellcat owner in this case. He was the producer and the film hired a company to handle the guns that was known to have issues and be irresponsible. I’m not intimately familiar with the case but from what I remember he was being reckless with that choice and it sounds like he was being reckless with the gun as well.
Real, sure. But functional, no. Sometimes, for authenticity’s sake or just for cost reasons, it may make sense to use a real firearm for a scene. However, it should always be modified so that it cannot be loaded or fired. There are plenty of ways to do this without affecting the appearance of the gun, and skipping that is just pure negligence.
Unless it’s a revolver, just remove the firing pin. Problem solved. Revolver might be a little more tricky, but removing the pin from the hammer and putting a silicone cushion into the chambers should work.
The colt SAA and other old revolvers’ firing pin was attached to the hammer (at least most of the newer repros have updated that part for safety). That is why they used to carry them on an empty chamber, because otherwise your firing pin would just be resting on the primer and could very easily go off if bumped. If using a repro you could similarly just remove the firing pin, if using an original (just don’t do that, because what I’m about to say is an affront to history, but) you could grind that pin down enough that it’d never make contact with the primer again. Shudder.
The only reason I can see from all the comments is cost. But it isn’t about a good reason. It’s about not micromanaging what people can do from a legal standpoint. Guns are either legal, or they aren’t. After that it would be up to unions involved in these things to demand better saftey for thier people. In this case we know the standards for safely handling guns on set were not followed. Now maybe that should be a crime and not just a civil matter. I could totally get behind that.
I’d argue otherwise. Their can be. It’s not required, but it’s the difference of using CGI or practical effects. John Wick didn’t use real guns, but it’s the perfect case for that. It’s fast action with a lot going on, so you’ll never notice that it’s fake. I would argue more intimate shots it can make sense to use a real firearm.
They shouldn’t be used where it’s possible to avoid, and even when it can’t be avoided aiming it at someone should be avoided. There should also be checks and double checks to ensure there isn’t a live round, and the actor should also be trained to handle the weapon and check there isn’t a live round before using it as well. There is no reason something like this should have been possible, but I don’t agree there is no use for using a real firearm ever on set.
The key word is functional. Make it physically/mechanically incapable of firing. I’ve been in stage productions that used non-functioning firearms working on my undergrad. They were still locked away. The professor who was the technical director and armorer was the only one who had a key to that safe. They handed it to the props master who handed it to the actor. When the prop wasn’t in use during the run, the props master had it on their person. When the performance was over, it immediately when back into the safe and locked away. If it is absolutely necessary for it to function then only blanks and only in use when needed. Not using it to play a prank. Not using it to fire rounds after the shoot is over. Baldwin and the armorer are absolutely at fault here for failing to maintain safety protocols.
Preach.
If you don’t have an armorer in your production than you shouldn’t have anything remotely akin to a firearm period. If your production is too broke for one, you’re too broke to simulate a firearm practically. Plain and simple.
I agree Baldwin and the armorer are at fault. There’s no debate there. A non-functional firearm can’t fire blanks though, as you seem to mention (despite starting by seemingly saying they shouldn’t exist). It’s sometimes useful to do that, and it should be handled with extreme care and only in the cases where it’s actually useful.
I work in film. No functional gun is needed on set.
There’s an entire industry surrounding the production of (often incredibly) realistic not-firing (and blank-firing) prop guns. the only time you’d need a real one, firing real bullets is if you were doing some extremely-close up shots or recording sound. Even then, you’d only need the real bullets for sound effects or close ups of actually firing. The only thing you’d really need CGI for is the muzzle flash. which is so short and so slow most people would barely even notice if it was merely ‘realistic’.
All of which, it should be said, could have been shot with no one down range of the weapon at any time, and in any case, there was zero reason to need a functional firearm at the time of the shooting. They were not actually filming. They were setting up the cameras and checking for things like glare and reflections and various other angles. All of that could have done with a non-firing prop with no danger to anyone at all.
I totally agree with everything you said. This case was handled poorly. I was arguing it can be useful, but should be handled as if it’s a firearm, not a toy, because it is. There should have been no chance (or as close to that as possible) of this happening, but it doesn’t mean there is zero use cases.