AI art isn’t bad because of its inherent quality (though tons of it is poor quality), it’s bad because it both lacks the essential qualities that people appreciate about art, and because of the ethics around the companies and the models that they’re making (as well as the attitude of some of the people who use it).
AI has no concept of the technical concepts behind art, which is a skill people appreciate in terms of “quality,” and it lacks “intent.” Art is made for the fun of it, but also with an intrinsic purpose that AI can’t replicate. AI is just a fancy version of a meme template. To quote Bennett Foddy:
For years now, people have been predicting that games would soon be made out of prefabricated objects, bought in a store and assembled into a world. And for the most part that hasn’t happened, because the objects in the store are trash. I don’t mean that they look bad or that they’re badly made, although a lot of them are - I mean that they’re trash in the way that food becomes trash as soon as you put it in a sink. Things are made to be consumed and used in a certain context, and once the moment is gone, they transform into garbage.
Adam Savage had a good comment on AI in one of his videos where he said something like “I have no interest in AI art because when I look at a piece of art, I care about the creator’s intent, the effort that they put into the piece, and what they wanted to say. And when I look at AI, I see none of that. I’m sure that one day, some college film student will make something amazing with AI, and Hollywood will regurgitate it until it’s trash.”
But that’s outside the context of your original post, in which you said that AI art would someday be better than what humans can make. And this is where my point about video game graphics comes in. AI is replicating the art in its training set, much like computer graphics seeking realism are attempting to replicate the real world. There’s no way to surpass this limit with the technology that powers these LLMs, and the closer they get to perfectly mimicking their data and removing the errors that are so common to AI (like the six fingers, strange melty lines, lack of clear light sources, 60% accuracy rate with AI like ChatGPT, etc.), the more their power requirements will increase and the more incremental the advancements will become. We’re in the early days of AI, and the advancements are rapid and large, but that will slow down and the hardware requirements and data requirements are already on a massive scale to the tune of the entirety of the internet for ChatGPT and its competitors.
AI has no concept of the technical concepts behind art, which is a skill people appreciate in terms of “quality,” and it lacks “intent.” Art is made for the fun of it, but also with an intrinsic purpose that AI can’t replicate.
I generally agree with you, AI can’t create art specifically because it lacks intent, but: The person wielding the AI can very much have intent. The reason so much AI stuff is slop is the same reason that most photographs are slop: The human using the machine doesn’t care to and/or does not have the artistic wherewithal to elevate the product to the level of art.
(Also that’s the civitai.green feed sorted by most reactions, not the civitai.com feed sorted by newest. Mindless deluge of dicks and tits, tits and dicks, that one).
AI is replicating the art in its training set
That’s a bit reductive: It very much is able of abstracting over concepts and of banging them against each other. Interesting things are found at the fringes, at the intersections, not on the well-trodden paths. An artist will immediately spot that and try to push a model to its breaking point, ideally multiple breaking points simultaneously, but for that the stars have to align: The user has to be a) an artist and b) willing to use AI. Or at least give it a honest spin.
So… first you say that art is subjective, then you say that a given piece can be classified as “good” or “bad”. What is it?
Your whole shebang is that it [GenAI] will become better. But, if you believe art to be subjective, how could you say the output of a GenAI is improving? How could you objectively determine if the function is getting better? The function’s definition of success is it’s loss function, which all but a measure of how mismatched the input of a given description is to it’s corresponding image. So, how well it copies the database.
Also, an image is “good” by what standards?
Why are you so obsessed with the image looking “good”. There is a whole lot more to an image than just “does it look good”. Why are you so afraid of making something “bad”? Why can you not look at an image any deeper than “I like it.”/“I do not like it.”, “It looks professional”/“It looks amateurish”? These aren’t meaningful critiques of the piece, they’re just reports of your own feelings. To critique a piece, one must try to look at what one believes the piece is trying to accomplish, then evaluate whether or not the piece is succeeding at it. If it is, why? If it isn’t, why not?
Also, these number networks suffer from diminishing returns.
Also:
In the context of Machine Learning “Neuron” means “Number from 0 to 1” and “Learning” means “Minimize the value of the Loss Function”.
You have stated that AI will improve. Improvement implies being able to classify something as better than something else. You have then stated that art is subjective and therefore a given piece cannot be classified as better than another. This is a logical contradiction.
I then questioned your standards for “good”. By what criteria are you measuring the pieces in order to determine which one is “better” and thus be able to determine if the AI’s input is improving or not? I then tried to, as simply and as timely as I could, give a basic explanation of how the Learning process actually works. Admittedly I did not do a good job. Explanations of this could take up to two or three hours, depending on how much you already know.
Then comes some philosophizing about what makes a piece “good”. First, questioning your focus on the pieces of output being good. Then, inquiring what is the harm of a “bad” image? In the context of “Why not draw yourself? Too afraid of making something that is not «perfect»”? Then I asked why is it that you refuse, on your analisys of the “goodness” of an image, to go beyond “I like it.”/“I do not like it.”, “It looks professional”/“It looks amateurish”. Such statements are not meaningful critiques of a piece, they are reports of the feelings of the observer. The subjectivity of art we all speak of. However, it is indeed possible to create a more objective critique of a piece which goes beyond our tastes. To critique a piece, one must try to look at what one believes the piece is trying to accomplish, then evaluate whether or not the piece is succeeding at it. If it is, why? If it isn’t, why not?
Then, as an addendum, I stated that these functions we call AI have diminishing returns. This is a consequence of the whole loss function thing which is at the heart of the Machine Learning process.
The some deceitful definitions. The words “Neuron” and “Learning” under the context of Machine Learning do not have the same meaning as they do colloquially. This is something which causes many to be fooled and marketing agencies abuse to market “AI”. Neuron does not mean “simulation of biological neuron”, it means “Number from 0 to 1”. That means that a Neural Network is actually just a network of numbers between 0 and 1, like 0.2031. Likewise, learning in Machine Learning is not the same has biological learning. Learning here is just a short hand for Minimizing the value of the Loss Function”.
I could add that even the name AI is deceitful, has it has been used as a marketing buss word since it’s creation. Arguably, one could say it was created to be one. It causes people to judge the Function, not for what it is, as any reasonable actor would, but for what it isn’t. Instead judged by what, maybe, it might become, if only we [AI companies] get more funding. This is nothing new. The same thing happened in the first AI craze in the 19’s. Eventually people realized the promised improvements were not coming and the hype and funding subsided. Now the cycle repeats: They found something which can superficially be considered “intelligent” and are now doing it again.
deleted by creator
AI art isn’t bad because of its inherent quality (though tons of it is poor quality), it’s bad because it both lacks the essential qualities that people appreciate about art, and because of the ethics around the companies and the models that they’re making (as well as the attitude of some of the people who use it).
AI has no concept of the technical concepts behind art, which is a skill people appreciate in terms of “quality,” and it lacks “intent.” Art is made for the fun of it, but also with an intrinsic purpose that AI can’t replicate. AI is just a fancy version of a meme template. To quote Bennett Foddy:
Adam Savage had a good comment on AI in one of his videos where he said something like “I have no interest in AI art because when I look at a piece of art, I care about the creator’s intent, the effort that they put into the piece, and what they wanted to say. And when I look at AI, I see none of that. I’m sure that one day, some college film student will make something amazing with AI, and Hollywood will regurgitate it until it’s trash.”
But that’s outside the context of your original post, in which you said that AI art would someday be better than what humans can make. And this is where my point about video game graphics comes in. AI is replicating the art in its training set, much like computer graphics seeking realism are attempting to replicate the real world. There’s no way to surpass this limit with the technology that powers these LLMs, and the closer they get to perfectly mimicking their data and removing the errors that are so common to AI (like the six fingers, strange melty lines, lack of clear light sources, 60% accuracy rate with AI like ChatGPT, etc.), the more their power requirements will increase and the more incremental the advancements will become. We’re in the early days of AI, and the advancements are rapid and large, but that will slow down and the hardware requirements and data requirements are already on a massive scale to the tune of the entirety of the internet for ChatGPT and its competitors.
I generally agree with you, AI can’t create art specifically because it lacks intent, but: The person wielding the AI can very much have intent. The reason so much AI stuff is slop is the same reason that most photographs are slop: The human using the machine doesn’t care to and/or does not have the artistic wherewithal to elevate the product to the level of art.
Is this at the level of the artstation or deviantart feeds? Hell no. But calling it all bad, all slop, because it happens to be AI doesn’t give the people behind it justice.
(Also that’s the civitai.green feed sorted by most reactions, not the civitai.com feed sorted by newest. Mindless deluge of dicks and tits, tits and dicks, that one).
That’s a bit reductive: It very much is able of abstracting over concepts and of banging them against each other. Interesting things are found at the fringes, at the intersections, not on the well-trodden paths. An artist will immediately spot that and try to push a model to its breaking point, ideally multiple breaking points simultaneously, but for that the stars have to align: The user has to be a) an artist and b) willing to use AI. Or at least give it a honest spin.
deleted by creator
Their explanation was wasted on useless people like you.
So… first you say that art is subjective, then you say that a given piece can be classified as “good” or “bad”. What is it?
Your whole shebang is that it [GenAI] will become better. But, if you believe art to be subjective, how could you say the output of a GenAI is improving? How could you objectively determine if the function is getting better? The function’s definition of success is it’s loss function, which all but a measure of how mismatched the input of a given description is to it’s corresponding image. So, how well it copies the database.
Also, an image is “good” by what standards?
Why are you so obsessed with the image looking “good”. There is a whole lot more to an image than just “does it look good”. Why are you so afraid of making something “bad”? Why can you not look at an image any deeper than “I like it.”/“I do not like it.”, “It looks professional”/“It looks amateurish”? These aren’t meaningful critiques of the piece, they’re just reports of your own feelings. To critique a piece, one must try to look at what one believes the piece is trying to accomplish, then evaluate whether or not the piece is succeeding at it. If it is, why? If it isn’t, why not?
Also, these number networks suffer from diminishing returns.
Also:
In the context of Machine Learning “Neuron” means “Number from 0 to 1” and “Learning” means “Minimize the value of the Loss Function”.
deleted by creator
You have stated that AI will improve. Improvement implies being able to classify something as better than something else. You have then stated that art is subjective and therefore a given piece cannot be classified as better than another. This is a logical contradiction.
I then questioned your standards for “good”. By what criteria are you measuring the pieces in order to determine which one is “better” and thus be able to determine if the AI’s input is improving or not? I then tried to, as simply and as timely as I could, give a basic explanation of how the Learning process actually works. Admittedly I did not do a good job. Explanations of this could take up to two or three hours, depending on how much you already know.
Then comes some philosophizing about what makes a piece “good”. First, questioning your focus on the pieces of output being good. Then, inquiring what is the harm of a “bad” image? In the context of “Why not draw yourself? Too afraid of making something that is not «perfect»”? Then I asked why is it that you refuse, on your analisys of the “goodness” of an image, to go beyond “I like it.”/“I do not like it.”, “It looks professional”/“It looks amateurish”. Such statements are not meaningful critiques of a piece, they are reports of the feelings of the observer. The subjectivity of art we all speak of. However, it is indeed possible to create a more objective critique of a piece which goes beyond our tastes. To critique a piece, one must try to look at what one believes the piece is trying to accomplish, then evaluate whether or not the piece is succeeding at it. If it is, why? If it isn’t, why not?
Then, as an addendum, I stated that these functions we call AI have diminishing returns. This is a consequence of the whole loss function thing which is at the heart of the Machine Learning process.
The some deceitful definitions. The words “Neuron” and “Learning” under the context of Machine Learning do not have the same meaning as they do colloquially. This is something which causes many to be fooled and marketing agencies abuse to market “AI”. Neuron does not mean “simulation of biological neuron”, it means “Number from 0 to 1”. That means that a Neural Network is actually just a network of numbers between 0 and 1, like 0.2031. Likewise, learning in Machine Learning is not the same has biological learning. Learning here is just a short hand for Minimizing the value of the Loss Function”.
I could add that even the name AI is deceitful, has it has been used as a marketing buss word since it’s creation. Arguably, one could say it was created to be one. It causes people to judge the Function, not for what it is, as any reasonable actor would, but for what it isn’t. Instead judged by what, maybe, it might become, if only we [AI companies] get more funding. This is nothing new. The same thing happened in the first AI craze in the 19’s. Eventually people realized the promised improvements were not coming and the hype and funding subsided. Now the cycle repeats: They found something which can superficially be considered “intelligent” and are now doing it again.